International Competition

Anna's War

Aleksei Fedorchenko | 73min | Ryssland

  • År: 2018
  • Språk: Tyska, Ryska
  • Text: Engelsk
  • Nordisk Premiär

Sovjetunionen 1942 i en by som är ockuperad av tyskarna. Där ute rasar kriget men inne på skolans vind lever lilla Anna sitt eget liv.
Kriget har lämnat Anna alldeles ensam, lämnad av resten av människosläktet. I sin egen värld på den gamla skolans vind har hon istället katten, råttorna och duvorna som sina vänner. Runt henne finns också artefakter från det kommunistiska Sovjet. Från sin utsiktsplats kan hon se både kriget och förtrycket. Vi får se när Anna tar till alla knep som finns för att hitta näring för att överleva. Hon mår väldigt dåligt och är på gränsen till att gå under. Anna’s War visar kriget från ett helt annat perspektiv och placerar sig vid sidan om Elem Klimovs Gå och se. Stora skildringar av små människor utsatta för krigets brutalitet.

- Freddy Olsson

Visningar

onsdag 31 januari

19:45

437:
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torsdag 01 februari

16:00

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fredag 02 februari

19:15

594:
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Aleksei Fedorchenko

Regissör: Aleksei Fedorchenko

Aleksey Fedorchenko, born in 1966 in Sol-Iletsk, Orenburg region of Siberia, is a film director, scriptwriter and producer. He is one of the central figures in the Russian independent new auteur films wave. He has degrees in Engineering and Economics (Ural Polytechnic Institute) and in Film Studies & Scriptwriting from VGIK (Russian State University of Cinematography). Since 2000 he has managed and participated in the production of over 80 films. Since 2004 Aleksey Fedorchenko is a co-owner, chief film director and the general producer of 29th February Film Company.

A little Jewish girl and the Second World War. One and only hero. Cinematic space is limited to the insides of a fireplace, and the geography of events is limited to the classroom of a village school that had been turned into a Nazi commandant’s office. Inside the fireplace the girl finds a safe place where she makes a nest for herself. A home. Outside is an insane world of adults. We see it’s reflection in a bubbly amalgam on the old mirror.  This is the story of survival and victory.  Robinson Crusoe had it easier: he was an adult, he wasn’t alone, and he had a whole island for himself. Anna is six years old, no one is there to help her, and there is only a small chance of finding food at the commandant’s office. Thirst and hunger are a constant in Anna’s life. There are no flashbacks in the film because the past is dead. There is no future. There is only the present. Only what happens now is significant.  The film isn’t black and white. Anna is a child and so there are many bright colours around her. The walls of the old school are blue and green. In the classroom there is a lot of red. On set there are many authentic Soviet school objects from the 30s and 40s.  The soundscape of the film is diverse, there are dialogues from the Commandant’s office workers: Germans, Ukrainians, Russians. Also present are voices of soldiers: Germans, Frenchmen, Hungarians, Romanians. The German radio plays the propaganda programs and music. Neither the viewer nor Anna can understand it all but it makes no difference. What matters is located inside the fireplace, in the world of Anna. Her beautiful world is reaching further and further and soon it will encompass the entire planet Earth – and Anna will win the World War. 

Manusförfattare:
Natalya Meschaninova, Aleksey Fedorchenko
Fotograf:
Alisher Khamidkhodzhaev
Klippare:
Pavel Khanyutin, Herve Schneid
Regissörens filmografi:
  • (select) 2005 First on the Moon, Feature; 2002 David, Doc; 2002 Kids of the White Graves, Doc.